Harry Nilsson

Born in Brooklyn, Nilsson moved to Los Angeles as a teenager to escape his family's poor financial situation and, starting in 1962, pursued songwriting while working as a computer programmer at a bank. He debuted on RCA Victor with the 1967 album Pandemonium Shadow Show, which began a creative partnership with arranger George Tipton that lasted until 1971. His albums over this period included Nilsson Sings Newman, a collaboration with Randy Newman, and The Point!, an original children's story. Between 1968 and 1974, nine of his singles reached the U.S. or UK top 40, including the top 10 hits "Everybody's Talkin'", "Without You", and "Coconut"; other artists enjoyed success with his songs "One" and "The Puppy Song". His albums Nilsson Schmilsson and Son of Schmilsson, produced under Richard Perry, were certified gold by the RIAA, indicating over 500,000 units sold each.
In the early to mid-1970s, Nilsson was affected by periods of substance abuse and erratic behavior; his voice degraded markedly after A Little Touch of Schmilsson in the Night, which preceded the popular trend of standards albums by a decade. Sometimes called "the American Beatle", he formed close friendships with John Lennon, who produced his album Pussy Cats, and Ringo Starr, together sharing a core studio ensemble, record appearances, and membership in the Hollywood Vampires drinking club. His recording output diminished following his final RCA album, Knnillssonn and, after providing songs to the musical film Popeye, he increasingly referred to himself as "a retired musician". Responding to Lennon's 1980 murder, he focused on gun control activism and subsequently recorded sporadically. He died of heart failure in 1994 before he was able to finish his last album, Papa's Got a Brown New Robe.
Nilsson received two Grammy Awards (for "Everybody's Talkin'" and "Without You") and was voted number 62 in Rolling Stone's 2015 list of the "100 Greatest Songwriters of All Time", where he was described as "a pioneer of the Los Angeles studio sound" and "a crucial bridge" between 1960s psychedelia and the 1970s singer-songwriter era. He is credited with creating the first remix album (Aerial Pandemonium Ballet) and mashup song ("You Can't Do That"), as well as influencing a movement of indie rock musicians through his songwriting and the defiant attitude he projected. His songs have featured prominently in many film and television soundtracks since the 1990s.