Group
La Máquina de Hacer Pájaros
Argentinian group
- From
- Buenos Aires, Argentina
- Active
- 1976–1977
- Rating
- ★ 4
- Releases
- 2
- progressive rock
- classic rock
- latin rock
- symphonic prog
- folk rock
- rock
About
La Máquina de Hacer Pájaros ("The bird-making machine") was a mid-1970s progressive and symphonic rock band from Argentina fronted by Charly García, with strong influences by Genesis, Premiata Forneria Marconi, Yes, and Steely Dan. In their brief two-year lifespan, they didn't have much public acceptance. It wasn't until several years later that they achieved a very high reputation nationally as well as internationally.
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Their self-titled debut in 1976 was a blend of sixties rock, jazz rock, classic rock, and symphonic rock. Some of the songs that stand out are "Como mata el viento norte" and "Bubulina." Their second and final album, 1977's Películas, leaned more towards jazz and some experimentation, leading to a more crude progressive rock, which had more complex and elaborate songs. A good example of this are the songs "Hipercandombe" and "Qué se puede hacer salvo ver peliculas". The opening track, "Obertura 777," is one of the most internationally recognized Argentine instrumental rock songs.
Members
Discography
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Also known as
La Máquina de Hacer Pajaros · La Máquina de hacer Pajaros
Tags
- argentine rock
- argentinian
- argentinian rock
- latin american rock
- prog rock
- south american
Identifiers
- MusicBrainz
- e40edab2-bf76-4675-b0d9-a8350b4d2564
- ISNI
- 0000000470457751
Data from MusicBrainz, saved 12 Nov 2026. Photo from Wikimedia Commons, covers from the Cover Art Archive and Apple Music.